{"id":3077,"date":"2026-07-20T10:28:32","date_gmt":"2026-07-20T08:28:32","guid":{"rendered":"https:\/\/woven.sk\/?page_id=3077"},"modified":"2026-08-03T16:45:56","modified_gmt":"2026-08-03T14:45:56","slug":"public-escapades","status":"publish","type":"page","link":"https:\/\/woven.sk\/en\/public-escapades\/","title":{"rendered":"Public Escapades"},"content":{"rendered":"\t\t
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<\/div>public escapades<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/p>

The Public Escapades project allows people to discover hidden parts of Tren\u010d\u00edn through interactive installations and playful architectural interventions in public spaces. This adventurous project connects the history and the present of the city. The natural environment around the V\u00e1h river inspires the design of the individual interventions, which combine architecture, design and a multi-genre programme. The project creates new spaces for spending time in nature, public gatherings and interactive activities.

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A series of four objects situated along the V\u00e1h River may evoke creatures washed ashore. Through their distinctive forms and spatial configurations, they offer visitors a unique perspective on the surrounding environment, while their curved geometry responds to the subtle topography of the riverside landscape.<\/em><\/p>

The organic geometry refers to freshwater bivalves living in the riverbed substrate, while the individual objects explore, through architectural means, the complex form of the shell and the possible processes through which it is formed. They evoke natural processes of ring-like layering, growth, and transformation, as well as a variety of textures and surfaces in the form of intertwined, knotted, glossy, or scaly structures.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"IMG_1144\"<\/figure><\/div>
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The objects are jewels in the landscape, positioned somewhere between sculpture and park furniture. Their purpose is to activate the space and contribute to shaping its identity. Located in the revitalised area of the Al\u00favium Orechovsk\u00e9ho potoka, throughout 2026 the objects will host a programme focused on artistic interventions and collaborations, dance and theatre performances, and an educational programme exploring landscape architecture, design, and art, with an emphasis on community engagement and placemaking.<\/p>

They can serve as an unconventional bench, an elevated platform, a lookout point, a stage, a climbing structure, or a lounger. They are open-ended additions to the environment, inviting further discovery and ever-new interpretations of how they can be used, without the typological constraints of conventional park furniture or predefined rules for its \u201ccorrect\u201d use.<\/p>

The Unio Specus and Unio Pendet pavilions are located in the Al\u00favium area only temporarily. They were originally designed for the Tren\u010diansky luh site, where they will be relocated once the revitalisation of the area is complete.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a0UNIO TECTUM<\/h1>

The pavilion consists of a shell resting on several slender columns, constructed from wide metal strips that interweave radially to form a porous roof structure. The openings let light through, while the steel strips simultaneously function as shading louvers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0UNIO STIBADIUM<\/h1>

It is an imprint of Unio Tectum, together conceptually forming a closed shell. The roof thus becomes a seating object, expanding scale-like towards the edges at varying heights and densities, creating a playful space for sitting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0UNIO SPECUS<\/h1>

In this case, the shell is positioned vertically and functions as a backrest, screen, or partition. The contour-like growth is transformed into a digital parameter that generates varying densities, incorporating curved structural ribs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0UNIO PENDET<\/h1>

The fourth object is a combination of the previous approaches to creating organic geometry. It employs the curving of slender profiles and regular reinforcement with ribs into a rounded form resembling a ring, with a subtle topography and an open space in the centre of the structure for various types of activities.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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ARTISTIC COLLABORATIONS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Installation:<\/strong> Remote Echoes<\/strong><\/p>

Location and time:<\/strong> Al\u00favium Orechovsk\u00e9ho potoka<\/a><\/span>, 5\u201327 September 2026, 18:00\u201321:00<\/p>

Artist:<\/strong> Mahalia Henry-Richards<\/a><\/span><\/p>

Description: <\/strong>Remote<\/span> Echoes<\/span> is<\/span> a site-<\/span>specific<\/span> installation<\/span> that<\/span> connects<\/span> two<\/span> nearby<\/span> pavilions<\/span> through<\/span> a <\/span>continuous<\/span> dialogue<\/span> of <\/span>light<\/span> and <\/span>sound<\/span>. A <\/span>slow<\/span>, <\/span>synchronised<\/span> pulse<\/span> of <\/span>light<\/span> links<\/span> the<\/span> two<\/span> structures<\/span>, <\/span>expressing<\/span> a <\/span>shared<\/span> sense of <\/span>presence<\/span>. <\/span>When<\/span> visitors<\/span> approach<\/span>, <\/span>the<\/span> pulse<\/span> becomes<\/span> disrupted<\/span>, <\/span>revealing<\/span> their<\/span> influence<\/span> as <\/span>flickers<\/span> and <\/span>shifts<\/span> in <\/span>rhythm<\/span>.<\/span><\/span>
<\/span>Each <\/span>pavilion<\/span> also<\/span> listens<\/span> to <\/span>its<\/span> surrounding<\/span> environment<\/span>, <\/span>capturing<\/span> short<\/span> fragments<\/span> of <\/span>sound<\/span> when<\/span> activity<\/span> occurs<\/span>. <\/span>These<\/span> recordings<\/span> form<\/span> a <\/span>slowly<\/span> evolving<\/span> soundscape<\/span>, a <\/span>spatial<\/span> memory<\/span> that<\/span> drifts<\/span> and <\/span>reshapes<\/span>over <\/span>time<\/span>.<\/span><\/span><\/p>

\u00a0<\/p>

Performance:<\/strong> <\/span>Echoes Expanded<\/span><\/b>\u00a0<\/span><\/p>

Location and time<\/strong>: Al\u00favium Orechovsk\u00e9ho potoka<\/a><\/span>, 3\u20134 September 2026<\/span>\u00a0<\/span><\/p>

Artist: <\/strong>Mahalia Henry-Richards<\/a>\u00a0<\/span><\/p>

Description<\/strong>: <\/span>Echoes Expanded is a performance event that transforms the subtle dialogue of Remote Echoes into an immersive audiovisual experience. Remote live code artists take control of the system in real time, using algorithmic music to animate both pavilions with sound and light. The quiet shared pulse is expanded into a vibrant and expressive event, amplifying the installation\u2019s themes of presence, communication, and connection across distance.<\/span>\u00a0<\/span><\/p>

\u00a0<\/p>

Installation:<\/strong> Just Being<\/strong><\/p>

Location and time:<\/strong> Al\u00favium Orechovsk\u00e9ho potoka<\/span><\/a>, 3 September 2026 \u2013 31 August 2027<\/p>

Artist:<\/strong> Katar\u00edna Polia\u010dikov\u00e1<\/span><\/a><\/p>

Collaboration:<\/strong> Dion\u00fdz Tro\u0161ko<\/p>

Description: <\/strong>Just Being<\/em> is a site-specific installation that invites passers-by to become present \u2013 in this place, at this moment. The state of \u201cjust being\u201d is something many of us long for, yet it can be difficult to attain. The Al\u00favium, however, can offer precisely this experience: to pause in silence and take a deep breath, to watch the flowing river and listen to the rustling of the trees overhead. The installation freely develops the idea behind the pavilions created by the WOVEN collective as part of the Escapes in Space<\/em> project. Just Being<\/em> is also one of 306 small joys collected and published by Katar\u00edna Polia\u010dikov\u00e1 under the title The Ministry of Small Joys<\/em>. Perhaps it is the most fundamental joy we can allow ourselves.<\/p>

The opening of the Just Being<\/em> installation will include a performative reading that will further explore the idea behind the installation and the Al\u00favium environment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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public escapades \u00a0 The Public Escapades project allows people to discover hidden parts of Tren\u010d\u00edn through interactive installations and playful architectural interventions in public spaces. This adventurous project connects the history and the present of the city. The natural environment around the V\u00e1h river inspires the design of the individual interventions, which combine architecture, design […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3077","page","type-page","status-publish","hentry"],"yoast_head":"\nPublic Escapades | woven<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woven.sk\/en\/public-escapades\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Public Escapades | woven\" \/>\n<meta property=\"og:description\" content=\"public escapades \u00a0 The Public Escapades project allows people to discover hidden parts of Tren\u010d\u00edn through interactive installations and playful architectural interventions in public spaces. 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